There was a time when the baker – the cascherino, as we call him here in Rome – was constantly, eternally gay: a true gaiety, that sparkled in his eyes. He would walk around on the streets whistling and throwing out witty, sometimes cutting remarks [motti]. There was a sort of irresistible vitality about him. He was dressed much less well than today: his trousers were full of patches, and his shirt was often little more than a rag. However, all of this fit into a model that in his little quarter [borgata] of the city was worth something, meant something. And he was proud of it. He could oppose the world of wealth with a world of his own that was equally worthwhile. When he arrived in the house of a rich family, it was with a laugh that had something fundamentally anarchic about it, that eroded the aura of everything – and this even though he was maybe quite respectful. It was however the respect of a person who felt profoundly estranged from what was going on there. Anyway, the thing that matters is that the guy was happy.
Il Fournarino
The thoughts below are Pasolini's, from an interview for Il Mondo, with Guido Vergani, July 11, 1974. The translation is by a friend and is unpublished, used with permission:
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